Ted Danson’s new show, A Man on the Inside, offers an intriguing premise: a retired widower working as an undercover investigator in a nursing home. The series aims to mix comedy with social issues surrounding aging and the healthcare system. However, despite Danson’s likable performance, the show fails to find a strong footing.

The script stumbles in balancing humor with serious themes. At times, the comedic moments feel forced, and the exploration of aging feels superficial, lacking depth or genuine emotional resonance. This leaves the series feeling unfocused and occasionally awkward. The setup, while promising, doesn’t quite hit the mark, and the series struggles to establish a meaningful connection with the audience.

Danson, known for his roles in Cheers and The Good Place, brings his signature charm to the role, but the material doesn’t quite allow him to shine. The supporting cast is competent, but the plot fails to engage in a meaningful way. Instead of offering a poignant look at the issues within nursing homes, A Man on the Inside gets lost in trying too hard to blend its social commentary with lighter moments, which doesn’t resonate with the gravity of the subject matter.

Visually, the show’s setting in the nursing home feels underdeveloped, not fully capturing the potential for conflict and drama. Instead, the show often drifts into being a missed opportunity, never quite diving into the emotional or investigative depth that it could have.

In short, while A Man on the Inside has an interesting concept and features an experienced lead in Ted Danson, the series ultimately falls short. It leaves much to be desired, as it attempts to blend comedy with serious issues without a clear focus. Fans of Danson might still find some enjoyment in his performance, but for those hoping for a more profound or entertaining exploration of the theme, the show remains frustratingly adrift.